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K.O Reacts To Claims That He Made R70 Million With “SETE”

K.O Reacts To Claims That He Made R70 Million With “SETE.” Since its debut in August of last year, K.O.’s single SETE has been the most popular song in the country, if not the continent. The winning streak did not end in 2022, instead, it has extended through 2023.

K.O Reacts To Claims That He Made R70 Million With “SETE”

The song has triggered massive reactions from all angles and with all its dominance on the airwaves the rapper has been rumoured to have made a load of money with SETE. Taking to Twitter, a Twitter handle Skool Of Rap claimed that the rapper had made a whopping R70 Million from the SR3 lead single.

They claimed that this amount to all the bookings, airplay, streams and views. K.O. made R70 Million with SETE so far including airplays, bookings, streams and views. He was the most booked artist last with over 990+ shows excluding international bookings,” read the tweet.

In response to the claims, K.O. vehemently refuted them stating that it’s all lies. “This Mitchell & Ness”,🧢 tweeted K.O. The veteran rapper has been the talk of the town after he was accused of stealing the beat he used on SETE from a Ghanaian artist.

The allegations gained traction on social media, and many people began to ask what had occurred and who actually owns the beat. On Tuesday evening, K.O. took to Twitter and refuted the allegations that he had stolen the beat from his best career hit.

UPDATE: Pt. 1: How artists/beatmakers collab in today’s largely virtual music industry… I bought the #SETE beat on an online platform via @Calliemajik ‘s page (original producer). Discovered other artists had used it so we replaced some of sounds to make mine unique,” he tweeted.

K.O. continued by saying that the instrumentals he purchased are his own. “Pt. 2: I hold full Unlimited Rights to the License of the instrumental I bought which is why the artists who also put out their own versions rightfully cannot disputed mine cos we’re all governed by the same or lesser Copyright. Normal practice in today’s music world,” he added.

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